robinleverton
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The Wellcome Collection Gabriel Kuri at Sadie Coles Ugo Rondinone at Sadie Coles Tetsumi Kudo at Hauser and Wirth Anj Smith at Hauser and Wirth
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Louis Kahn Walter Gropius Ludwig Mies Van Der Rohe Frank Lloyd Wright Eileen Gray Marcel Breuer Gerhard Merz Sarah Morris Liam Gillick
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This piece worked as a test for mirrors, interestingly enough, reflective surfaces aren’t meant to be able to see each other or be within different planes. However this seems not to have bothered my mirrors as they still reflect what they see. The viewer is stuck in the chair with only the ability to look
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After my tutorial, I decided that it was to be my course of action to try to create some environments within the Source engine (a game engine created by Valve for games such as Half Life 2, Counter Strike: Source, Portal) and the hammer editor. I knew that the source engine was good for creating
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Alan Cristea was host to an Exhibition of Gordon Cheung’s new work that was subject to a talk that took place on the 29th September. The talk featured ‘historian, writer and broadcaster Charlotte Mullins, Senior Lecturer in Fine Art Theory at Chelsea College of Art and Design Dan Smith and Professor Karin Moelling whose research into
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Happy Birthday to me, on the 15th no more a teen, now I have reached 20, there’s a tutorial for me. I had my first tutorial of year 2 with my new tutor Liz Peebles. After a long conversation surpassing the allotted half hour time slot, I came out with a lot of areas to
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After messing around with various glitching techniques, I needed to start putting my focus back onto the architectural and landscape aspects of my work that pushed me into that frame in the first place. Armed with the photographs I took over the summer that can be seen in this post here, I began again to
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Ai Weiwei’s exhibition at the RA was a great insight into the career of an artist who has been as famous for the political intrigue that he has caused as the art he has created. Weiwei’s art centres often on his Chinese heritage, and on opening up a dialogue with China’s past, as can be
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So the story is that I used Asendorf’s code a bit more and messed around with this image, one I took of Kilimanjaro, which already has a bit of graining in the top left because the camera got damaged by the cold I think. I put these images through the process multiple times and at
Robin Leverton 