robin
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After my tutorial, I decided that it was to be my course of action to try to create some environments within the Source engine (a game engine created by Valve for games such as Half Life 2, Counter Strike: Source, Portal) and the hammer editor. I knew that the source engine was good for creating
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Alan Cristea was host to an Exhibition of Gordon Cheung’s new work that was subject to a talk that took place on the 29th September. The talk featured ‘historian, writer and broadcaster Charlotte Mullins, Senior Lecturer in Fine Art Theory at Chelsea College of Art and Design Dan Smith and Professor Karin Moelling whose research into
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After messing around with various glitching techniques, I needed to start putting my focus back onto the architectural and landscape aspects of my work that pushed me into that frame in the first place. Armed with the photographs I took over the summer that can be seen in this post here, I began again to
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Ai Weiwei’s exhibition at the RA was a great insight into the career of an artist who has been as famous for the political intrigue that he has caused as the art he has created. Weiwei’s art centres often on his Chinese heritage, and on opening up a dialogue with China’s past, as can be
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So the story is that I used Asendorf’s code a bit more and messed around with this image, one I took of Kilimanjaro, which already has a bit of graining in the top left because the camera got damaged by the cold I think. I put these images through the process multiple times and at
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Brighton Crete Peckham Tooting / Wimbledon Richmond Park Roehampton / Heathrow
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The Carsten Holler exhibition that was on show at the Hayward Gallery over the summer was less a cerebral exercise and more a wide snapshot on the various ways of constructing art and its potential involvement in the non-art world. His use of technologies, such as VR Headsets to create a narrative environment we can not
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Walking into Lazarides gallery in Soho, I was immediately overawed at the artwork on display to me. Ian Francis’s works carry the depth and sense of sublime taken from works by John Martin and the intimacy of the works of Joseph Wright of Derby and pairs that with an aesthetic that is immediate and ethereal and
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The Agnes Martin show at Tate Modern was one of the best shows I have seen so far this year and was a real eye opener in terms of the simple, calm nature that speaks volumes throughout her work. The grid style that she employed throughout her whole career I found to be tellingly relevant
Robin Leverton 