Robin Leverton
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The works here are all created using the pixel sorting method and Processing. For this first set of images, I was just playing around with types of images and how they’re affected differently by the code and playing around with different parameters of the code. Some of these have created very interestingly textured images that
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I wrote a really long post about this but then it didn’t save, I have been putting it off since. In short it was a very interesting look at non-british marble sculpture of the 20th century, though not the most thrilling or radical work I have ever seen. I particularly enjoyed ‘untitled’ -1978 and the
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Com, and trip it as ye go, On the light fantastick toe. – John Milton Join 10 emerging artists as they dance the light dance through a dazzling variety of concepts in this group exhibition. From stages covering all media, tales are woven tracing the troubles of our times: Surveillance, Military Oversight, Big Data, Big
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Marking out the dots from the positions of peoples heads in Victoria station. After the background has been painted. (Messed up at the bottom, didn’t realise the paint wouldn’t be thin enough to see through.) Finished Piece. The colours are dictated by the number of triangles in a group + the number sides bordered by
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This piece was created using the thumbtack pattern used in the first 5 ‘configurations’. The pattern of dots is repeated here 12 times, as can be seen by the slight grouping of density. The colour choice was made by taking a random set of colours, arranging them in order of darkness and then matching that
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This ‘Configuration’ has a different set of rules to the others. Whilst the previous 5 were based off of the positions of pins on my notice board, 6 is from the positions of people’s heads at Victoria Station as taken from a vantage point. The lines again are drawn at whim but the colours
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Having all but removed the lines from a painting, this time, I decided to remove the colour and leave the lines to play amongst themselves. This piece uses 4 of the source image which has resulted in the 4 clusters that are visible within the work. The piece itself is sort of reminiscent of
Robin Leverton 