Modern
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“You’re overthinking it”. That’s what a woman said to me when I sat playing White Chess Set (1966) at Yoko Ono’s Tate Modern retrospective Music of the Mind. It’s a lot to unpack. Can you overthink conceptual art? I’m inclined to think yes. Can you over-question it? I’m not so sure. The teeth of this
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The Agnes Martin show at Tate Modern was one of the best shows I have seen so far this year and was a real eye opener in terms of the simple, calm nature that speaks volumes throughout her work. The grid style that she employed throughout her whole career I found to be tellingly relevant
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I asked my tutor for a short tutorial about my work and my painting, asking his opinions on the pieces I had made and of my plans. Of the painting he explained that the background as it is is too distracting in the image (echoing my own thoughts), that its casual nature detracts from it
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Overnight, it all fell apart. Literally but not figuratively, I expected the tape to fall down as the tension was very high and parts had failed to remain attached to the canvas whilst I was putting the tape on. This break up of the painting is awesome and I love the way the tape