100 Cups of Tea, 2014
I made this film last year as part of my A2 in Art and Design. I previously uploaded it to […]
Business Cards!
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To What Extent is the Monochrome the Logical Conclusion to Modernist Painting?
The Monochrome in the tradition of modernist easel painting is defined as being a colour field painting consisting of a […]
Configuration: 11
Marking out the dots from the positions of peoples heads in Victoria station. After the background has been painted. (Messed […]
Configuration: 10
This piece was created using the thumbtack pattern used in the first 5 ‘configurations’. The pattern of dots is repeated […]
Configuration: 9
In configuration 9 the rule I used was that instead of using colour as the positive element dictate the fill, […]
Configuration: 8, 2015
No two coloured tiles are made adjacent in this piece. The colours were applied in a very different method: The […]
Configuration: 7, 2015
This piece used the Victoria station photograph as its source but with the harsh clusters of colours found in […]
Configuration: 6, 2015
This ‘Configuration’ has a different set of rules to the others. Whilst the previous 5 were based off of […]
Looking at Malevich (Commission)
Configuration: 5, 2015
Acrylic on Canvas. I really like the way this piece turned out. The colours seem to join well together for […]
Configuration: 4, 2015
Having all but removed the lines from a painting, this time, I decided to remove the colour and leave […]
Configuration: 3, 2015
Acrylic on Paper. Having thought about the use of shape and line within constructivist works, this time I decided to […]
Robin Leverton 