This piece used the Victoria station photograph as its source but with the harsh clusters of colours found in ‘Configuration: 6’, where I didn’t have the compositional choice I used in ‘Configuration: 5’ and the paintings before, I decided to reintroduce the ‘no adjacent coloured tiles’ rule.

The colours were decided by colours randomly placed to correspond to the number of sides and the number of adjacent tiles. The two corresponding colours were then mixed together to form the colour used in the tile.

Categories: ArtTags: abstract art, abstract expressionism, Art, conceptualism, constructivism, gabo, leverton, malevich, paul klee, robin, russian constructivism