Painting
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Marking out the dots from the positions of peoples heads in Victoria station. After the background has been painted. (Messed up at the bottom, didn’t realise the paint wouldn’t be thin enough to see through.) Finished Piece. The colours are dictated by the number of triangles in a group + the number sides bordered by
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This piece was created using the thumbtack pattern used in the first 5 ‘configurations’. The pattern of dots is repeated here 12 times, as can be seen by the slight grouping of density. The colour choice was made by taking a random set of colours, arranging them in order of darkness and then matching that
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No two coloured tiles are made adjacent in this piece. The colours were applied in a very different method: The main colour of a tile was determined by the number of adjacent tiles it had. This was then blended into from the sides that had an adjacent tile with a colour that corresponded to the
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Dear Robin Leverton, Congratulations! Your artwork with title The Security Guard Wouldn’t Let Me In Until 08:30 has been approved and will start appearing with other works on screen at the 2nd floor of the Saatchi Gallery in the next 24 hours. Your work will remain in the loop as long as the screen is
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Watercolour on Paper
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Acrylic on Paper. For this piece, I decided to double up the picture of the pins, to make a larger work. Then Instead of having effectively one continuous line, there are 4 separate groups of lines here. Each group has an umbrella colour: Red, blue, green and yellow. I used watercolour so that I could
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Acrylic on Paper. I decided to make this painting having seen all the pins on my noticeboard. The spread was rather interesting, so I took a photograph and then plotted all the points onto a different piece of paper and began to join up the dots rather randomly. Then, starting with the base colour of yellow,
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After creating my clocks piece, I began to see the lines on the faces of the clocks point to each other, forming patterns and shapes. Wanting to explore this, I took some tracing paper and followed the lines to a satisfactory shape that I was happy with aesthetically. Rather than just repeating the same
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The piece was a success. After 12 hours of painting, on Wednesday the 22nd October, 2014, I finally relaxed, put down my paintbrush and then ran to the toilet as my bladder had been screaming at me for the best part of 3 hours. The piece itself I wanted to represent time in a literal
Robin Leverton 