Art
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This piece used the Victoria station photograph as its source but with the harsh clusters of colours found in ‘Configuration: 6’, where I didn’t have the compositional choice I used in ‘Configuration: 5’ and the paintings before, I decided to reintroduce the ‘no adjacent coloured tiles’ rule. The colours were decided by colours randomly
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This ‘Configuration’ has a different set of rules to the others. Whilst the previous 5 were based off of the positions of pins on my notice board, 6 is from the positions of people’s heads at Victoria Station as taken from a vantage point. The lines again are drawn at whim but the colours
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Acrylic on Canvas. I really like the way this piece turned out. The colours seem to join well together for me (being colourblind I can’t say that this is the same for everyone) and I think the way the drawing was laid out really gives a lot of space and attention to every facet.
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Having all but removed the lines from a painting, this time, I decided to remove the colour and leave the lines to play amongst themselves. This piece uses 4 of the source image which has resulted in the 4 clusters that are visible within the work. The piece itself is sort of reminiscent of
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Acrylic on Paper. Having thought about the use of shape and line within constructivist works, this time I decided to put the drawing underneath a priming layer, also using this as a way of stretching the paper before painting to hopefully reduce the surface distortion that occurs as paper is wetted. This method has really
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Watercolour on Paper
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Acrylic on Paper. For this piece, I decided to double up the picture of the pins, to make a larger work. Then Instead of having effectively one continuous line, there are 4 separate groups of lines here. Each group has an umbrella colour: Red, blue, green and yellow. I used watercolour so that I could
Robin Leverton 