Art
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Enter through the Headset at Gazelli Art House, London was the first proper taste of Virtual Reality Art that I have come across. I have seen works that use VR headsets before, such as at the Carsten Holler exhibition at the Hayward, however this was the first time I have seen the medium explored in
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During and after the In the Far Future show, I began to work much more on Unity to learn how to use the game engine to be able to create the architecture and experiences I wanted in my work. I made my first efforts at using textures and importing from Maya with the towers I
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In the Far Future, Where I Belong was a show organised by myself, Daniel Bandfield, Dan Rowan-Smith and Louis Judkins as part of our second year of BA Fine Art. As a year, we were tasked to form groups and then in those groups put on an off-site show. Dan, Daniel and I joined together
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Architectural elements of works of institutional critique often play a lesser role in the overall impression of the work, therefore the purpose of this essay is to identify how architecture and the uncanny have been used for institutional critique and what effect does psychologically to the viewer. This essay will attempt to answer the question
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Territories of Practice The end of last term culminated in the ‘Territories of Practice’ show, my group ‘Other Worlds’ consisted of Daniel Bandfield, Dan Rowan-Smith, Oli Lyon and myself. The show received a largely positive reaction from our peers, however I was unfortunately unable to attend the event or see my work to its fullest
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This piece worked as a test for mirrors, interestingly enough, reflective surfaces aren’t meant to be able to see each other or be within different planes. However this seems not to have bothered my mirrors as they still reflect what they see. The viewer is stuck in the chair with only the ability to look
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Alan Cristea was host to an Exhibition of Gordon Cheung’s new work that was subject to a talk that took place on the 29th September. The talk featured ‘historian, writer and broadcaster Charlotte Mullins, Senior Lecturer in Fine Art Theory at Chelsea College of Art and Design Dan Smith and Professor Karin Moelling whose research into
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Happy Birthday to me, on the 15th no more a teen, now I have reached 20, there’s a tutorial for me. I had my first tutorial of year 2 with my new tutor Liz Peebles. After a long conversation surpassing the allotted half hour time slot, I came out with a lot of areas to
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So the story is that I used Asendorf’s code a bit more and messed around with this image, one I took of Kilimanjaro, which already has a bit of graining in the top left because the camera got damaged by the cold I think. I put these images through the process multiple times and at
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The Carsten Holler exhibition that was on show at the Hayward Gallery over the summer was less a cerebral exercise and more a wide snapshot on the various ways of constructing art and its potential involvement in the non-art world. His use of technologies, such as VR Headsets to create a narrative environment we can not
Robin Leverton 