Exhibitions
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During and after the In the Far Future show, I began to work much more on Unity to learn how to use the game engine to be able to create the architecture and experiences I wanted in my work. I made my first efforts at using textures and importing from Maya with the towers I…
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In the Far Future, Where I Belong was a show organised by myself, Daniel Bandfield, Dan Rowan-Smith and Louis Judkins as part of our second year of BA Fine Art. As a year, we were tasked to form groups and then in those groups put on an off-site show. Dan, Daniel and I joined together…
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Territories of Practice The end of last term culminated in the ‘Territories of Practice’ show, my group ‘Other Worlds’ consisted of Daniel Bandfield, Dan Rowan-Smith, Oli Lyon and myself. The show received a largely positive reaction from our peers, however I was unfortunately unable to attend the event or see my work to its fullest…
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The Wellcome Collection Gabriel Kuri at Sadie Coles Ugo Rondinone at Sadie Coles Tetsumi Kudo at Hauser and Wirth Anj Smith at Hauser and Wirth
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Alan Cristea was host to an Exhibition of Gordon Cheung’s new work that was subject to a talk that took place on the 29th September. The talk featured ‘historian, writer and broadcaster Charlotte Mullins, Senior Lecturer in Fine Art Theory at Chelsea College of Art and Design Dan Smith and Professor Karin Moelling whose research into…
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Ai Weiwei’s exhibition at the RA was a great insight into the career of an artist who has been as famous for the political intrigue that he has caused as the art he has created. Weiwei’s art centres often on his Chinese heritage, and on opening up a dialogue with China’s past, as can be…
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The Carsten Holler exhibition that was on show at the Hayward Gallery over the summer was less a cerebral exercise and more a wide snapshot on the various ways of constructing art and its potential involvement in the non-art world. His use of technologies, such as VR Headsets to create a narrative environment we can not…
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Walking into Lazarides gallery in Soho, I was immediately overawed at the artwork on display to me. Ian Francis’s works carry the depth and sense of sublime taken from works by John Martin and the intimacy of the works of Joseph Wright of Derby and pairs that with an aesthetic that is immediate and ethereal and…
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I wrote a really long post about this but then it didn’t save, I have been putting it off since. In short it was a very interesting look at non-british marble sculpture of the 20th century, though not the most thrilling or radical work I have ever seen. I particularly enjoyed ‘untitled’ -1978 and the…
Robin Leverton 