Chelsea
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Many Photographs courtesy of Daniel Bandfield. The exhibition opening took place on the 14th May, and was a glaring success. Many people turned up and the atmosphere was overwhelmingly positive. The only snag was a late opening caused by a rather long crit led by Jonny Briggs which lasted for 3.5 hours! However, Jonny was
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Com, and trip it as ye go, On the light fantastick toe. – John Milton Join 10 emerging artists as they dance the light dance through a dazzling variety of concepts in this group exhibition. From stages covering all media, tales are woven tracing the troubles of our times: Surveillance, Military Oversight, Big Data, Big
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This piece was created using the thumbtack pattern used in the first 5 ‘configurations’. The pattern of dots is repeated here 12 times, as can be seen by the slight grouping of density. The colour choice was made by taking a random set of colours, arranging them in order of darkness and then matching that
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In configuration 9 the rule I used was that instead of using colour as the positive element dictate the fill, I’d let the traditionally negative elements i.e. white and the background prime colour dictate how the fill is carried out. This comes from how I have begun to read into John Cage and Robert Rauschenberg
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No two coloured tiles are made adjacent in this piece. The colours were applied in a very different method: The main colour of a tile was determined by the number of adjacent tiles it had. This was then blended into from the sides that had an adjacent tile with a colour that corresponded to the
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This ‘Configuration’ has a different set of rules to the others. Whilst the previous 5 were based off of the positions of pins on my notice board, 6 is from the positions of people’s heads at Victoria Station as taken from a vantage point. The lines again are drawn at whim but the colours
Robin Leverton 