Chelsea
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Since the interim show, I continued to construct the vertical garden. I began growing my plants in March. I’m not much of a gardener, but the idea of vertical gardening is to reduce the labour in the process as well as increase space efficiency. The propagator I had for my plants was meant to be
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Dan Rowan-Smith and I decided we wanted to do a show in the morgue at Chelsea College. As the majority of our work is digital, we don’t often get to exhibit work or have it hanging around in the studios like a painter or sculptor does, also it’s always good to get more show experience.
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Michael Dean, Turner Prize at Tate Britain Paul Nash at Tate Britain The Infinite Mix Where Are We Now? – Ben Coiacetto, Rosanna Dean and Ranulph Redlin And the Earth Screamed, Alive – Emma Charles at South Kiosk Cool projection mapping at Chelsea. Special Halloween party performance.
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Usually I have prints made by a company called Cherrill Print, who occupy a shop near to my home in Croydon, however I was unaware that they did not open on weekends and was caught out when I wished to have some of my landscapes printed. So I turned to Planprint-it who offered a higher quality finish
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During and after the In the Far Future show, I began to work much more on Unity to learn how to use the game engine to be able to create the architecture and experiences I wanted in my work. I made my first efforts at using textures and importing from Maya with the towers I
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In the Far Future, Where I Belong was a show organised by myself, Daniel Bandfield, Dan Rowan-Smith and Louis Judkins as part of our second year of BA Fine Art. As a year, we were tasked to form groups and then in those groups put on an off-site show. Dan, Daniel and I joined together
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Architectural elements of works of institutional critique often play a lesser role in the overall impression of the work, therefore the purpose of this essay is to identify how architecture and the uncanny have been used for institutional critique and what effect does psychologically to the viewer. This essay will attempt to answer the question
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Territories of Practice The end of last term culminated in the ‘Territories of Practice’ show, my group ‘Other Worlds’ consisted of Daniel Bandfield, Dan Rowan-Smith, Oli Lyon and myself. The show received a largely positive reaction from our peers, however I was unfortunately unable to attend the event or see my work to its fullest
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Happy Birthday to me, on the 15th no more a teen, now I have reached 20, there’s a tutorial for me. I had my first tutorial of year 2 with my new tutor Liz Peebles. After a long conversation surpassing the allotted half hour time slot, I came out with a lot of areas to
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Ai Weiwei’s exhibition at the RA was a great insight into the career of an artist who has been as famous for the political intrigue that he has caused as the art he has created. Weiwei’s art centres often on his Chinese heritage, and on opening up a dialogue with China’s past, as can be
Robin Leverton 