Art
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Walking into Lazarides gallery in Soho, I was immediately overawed at the artwork on display to me. Ian Francis’s works carry the depth and sense of sublime taken from works by John Martin and the intimacy of the works of Joseph Wright of Derby and pairs that with an aesthetic that is immediate and ethereal and
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The Agnes Martin show at Tate Modern was one of the best shows I have seen so far this year and was a real eye opener in terms of the simple, calm nature that speaks volumes throughout her work. The grid style that she employed throughout her whole career I found to be tellingly relevant
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The works here are all created using the pixel sorting method and Processing. For this first set of images, I was just playing around with types of images and how they’re affected differently by the code and playing around with different parameters of the code. Some of these have created very interestingly textured images that
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I wrote a really long post about this but then it didn’t save, I have been putting it off since. In short it was a very interesting look at non-british marble sculpture of the 20th century, though not the most thrilling or radical work I have ever seen. I particularly enjoyed ‘untitled’ -1978 and the
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One of the most important elements of my figure drawings is the landscape that encompasses the characters. My wish is for these landscapes to feel as expansive as those of surrealist origins, but not be directly surreal. Furthermore, Having encountered the work of Artist Gordon Cheung I have really wanted to try and
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The arabic words adorning Shirazeh Houshiary’s work are something to be seen. Without a familiarity to the language system, the press release is the only way of discerning that the patterning is in fact made up of words. From far away, they form a field that sits in front of the viewers eye, slightly obscuring
Robin Leverton 