abstract art
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Classic pitch: The world is dying, lets spread the word of how amazing nature is to raise awareness and save it.New twist: You never get to see the natural world.The future: Nature will forever be a fiction, and now it will be mediated to you through AI. Refik Anadol Studio has created one of the
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“You’re overthinking it”. That’s what a woman said to me when I sat playing White Chess Set (1966) at Yoko Ono’s Tate Modern retrospective Music of the Mind. It’s a lot to unpack. Can you overthink conceptual art? I’m inclined to think yes. Can you over-question it? I’m not so sure. The teeth of this
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In summer 2023 Ieva (middle left pictured) put out a call for people to join her in a collective application for a show at Hypha Studios in Mayfair. Hypha are an organisation that takes stewardship of meanwhile spaces and offers them out as studios and exhibition spaces to artists, curators and other such creatives. Unfortunately
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Mushi (Jap.) Computer glitch. Reishi (Jap.) Mushroom of Immortality. Mushi_Reishi is an experiment in embodied intelligence and emergent behaviour, manifesting as organic-like structure. I wanted to imagine how a fungus would grow within an area from a single point without prior knowledge of its surroundings. This project isn’t at its final stage and the resin
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The inspiratorial jumping off point for this project was the idea of creating an algae bioreactor using recycled PET bottles. DIY examples of such systems are relatively simple and have been made with a number of different designs. The purpose of this interest correlates with my interest in ecology and food production. Algae gain mass
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The works here are all created using the pixel sorting method and Processing. For this first set of images, I was just playing around with types of images and how they’re affected differently by the code and playing around with different parameters of the code. Some of these have created very interestingly textured images that
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Marking out the dots from the positions of peoples heads in Victoria station. After the background has been painted. (Messed up at the bottom, didn’t realise the paint wouldn’t be thin enough to see through.) Finished Piece. The colours are dictated by the number of triangles in a group + the number sides bordered by
Robin Leverton 