robin
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Frank Bowling’s ‘Right Here. Right Now.’ was shown in conjunction with a show from his partner Rachel Scott’s show ‘Warp & Weft’ at Chelsea College of Art and Design in the Triangle and Cookhouse Spaces. Bowling’s large paintings are a violent series of coloured abstractions set out in shapes or patterns that band the canvas,
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The works here are all created using the pixel sorting method and Processing. For this first set of images, I was just playing around with types of images and how they’re affected differently by the code and playing around with different parameters of the code. Some of these have created very interestingly textured images that
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I wrote a really long post about this but then it didn’t save, I have been putting it off since. In short it was a very interesting look at non-british marble sculpture of the 20th century, though not the most thrilling or radical work I have ever seen. I particularly enjoyed ‘untitled’ -1978 and the
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One of the most important elements of my figure drawings is the landscape that encompasses the characters. My wish is for these landscapes to feel as expansive as those of surrealist origins, but not be directly surreal. Furthermore, Having encountered the work of Artist Gordon Cheung I have really wanted to try and
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The arabic words adorning Shirazeh Houshiary’s work are something to be seen. Without a familiarity to the language system, the press release is the only way of discerning that the patterning is in fact made up of words. From far away, they form a field that sits in front of the viewers eye, slightly obscuring
Robin Leverton 