Robin Leverton

Artist and Technologist

rauschenberg

  • 100 Cups of Tea, 2014

    I made this film last year as part of my A2 in Art and Design. I previously uploaded it to youtube but it got taken down for being too long, however now it is up and available for watching. This piece was very important for me, as much of my work today, including all the

    Read more →

  • Business Cards!

    Front Back 1 Back 2 Back 3 Back 4 Back 5

    Read more →

  • To What Extent is the Monochrome the Logical Conclusion to Modernist Painting?

    The Monochrome in the tradition of modernist easel painting is defined as being a colour field painting consisting of a single colour or tone (Corris, 2009). Monochromes have had an influential effect on analytical and formalist paintings, with their appearance occurring mainly in the late 1910’s with suprematism, and the early 1950’s with formalism. It

    Read more →

  • Configuration: 9

    In configuration 9 the rule I used was that instead of using colour as the positive element dictate the fill, I’d let the traditionally negative elements i.e. white and the background prime colour dictate how the fill is carried out. This comes from how I have begun to read into John Cage and Robert Rauschenberg

    Read more →

  • Theory Lecture 3: Conceptualism

    Conceptualism grew from the misprisms (the creative misreading of a former art form) of Minimalist art. The concepts behind the minimalist works such as those by Carl Andre or Dan Flavin were opened up as the work rather than looking solely at the object itself, this was the dematerialisation of the art object. An irony

    Read more →