Robin Leverton

Artist and Technologist

judd

  • 100 Cups of Tea, 2014

    I made this film last year as part of my A2 in Art and Design. I previously uploaded it to youtube but it got taken down for being too long, however now it is up and available for watching. This piece was very important for me, as much of my work today, including all the

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  • Business Cards!

    Front Back 1 Back 2 Back 3 Back 4 Back 5

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  • To What Degree and How Does the Meaning or Experience of a Work of Art Depend on Context?

    This essay will answer the title question by analysing 3 forms of context that affect a work of art: The author/spectator relationship, the artwork’s historical relationships and its institutional setting. It will question how each of these aspects affect Enrico Castellani’s “Superficie biangolare cromata” (2011) (displayed at Dominique Lévy London in the “Local History” exhibition

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  • Theory Seminar: The Shape of Behaviour 2

    Rosalind Krauss in her article ‘Allusion and Illusion in Donald Judd’ criticises Judd, who believes in creating works with no allusion or illusion, saying that his work does allude to other things.  Allusion can be a property of the thing itself (e.g. I recognise a bottle because I know bottles because of my culture. Do

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  • Theory Lecture 2: Minimalism

    Donald Judd was a prominent and respected artist and critic throughout the 60s-80s. Having started as a painter, his work began to move away from works with ‘illusory’ qualities in the early 60s and in 1964 he was commissioned to write a survey of art which became the foundation theory for the movement that became

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