fine
-
In the Far Future, Where I Belong was a show organised by myself, Daniel Bandfield, Dan Rowan-Smith and Louis Judkins as part of our second year of BA Fine Art. As a year, we were tasked to form groups and then in those groups put on an off-site show. Dan, Daniel and I joined together
-
Alan Cristea was host to an Exhibition of Gordon Cheung’s new work that was subject to a talk that took place on the 29th September. The talk featured ‘historian, writer and broadcaster Charlotte Mullins, Senior Lecturer in Fine Art Theory at Chelsea College of Art and Design Dan Smith and Professor Karin Moelling whose research into
-
The Carsten Holler exhibition that was on show at the Hayward Gallery over the summer was less a cerebral exercise and more a wide snapshot on the various ways of constructing art and its potential involvement in the non-art world. His use of technologies, such as VR Headsets to create a narrative environment we can not
-
The Agnes Martin show at Tate Modern was one of the best shows I have seen so far this year and was a real eye opener in terms of the simple, calm nature that speaks volumes throughout her work. The grid style that she employed throughout her whole career I found to be tellingly relevant
-
Many Photographs courtesy of Daniel Bandfield. The exhibition opening took place on the 14th May, and was a glaring success. Many people turned up and the atmosphere was overwhelmingly positive. The only snag was a late opening caused by a rather long crit led by Jonny Briggs which lasted for 3.5 hours! However, Jonny was
-
Com, and trip it as ye go, On the light fantastick toe. – John Milton Join 10 emerging artists as they dance the light dance through a dazzling variety of concepts in this group exhibition. From stages covering all media, tales are woven tracing the troubles of our times: Surveillance, Military Oversight, Big Data, Big
Robin Leverton 