Art

  • Business Cards!

    Front Back 1 Back 2 Back 3 Back 4 Back 5

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  • Many Photographs courtesy of Daniel Bandfield. The exhibition opening took place on the 14th May, and was a glaring success. Many people turned up and the atmosphere was overwhelmingly positive. The only snag was a late opening caused by a rather long crit led by Jonny Briggs which lasted for 3.5 hours! However, Jonny was

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  • I made this poster for a competition to design a 90’s Rave poster for “This is England ’90”, so I am posting it here too because why not? All done in photoshop, was lots of fun, I’m really digging the whole cyberpunk feel atm.

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  • The Monochrome in the tradition of modernist easel painting is defined as being a colour field painting consisting of a single colour or tone (Corris, 2009). Monochromes have had an influential effect on analytical and formalist paintings, with their appearance occurring mainly in the late 1910’s with suprematism, and the early 1950’s with formalism. It

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  • Gaining Perspective

    This painting has taken about a week to produce, and although there are places which may need a bit of a retouch, that would mainly involve repainting whole sections and I just wanted to get the image out. The conception of the piece is very literal and to some degree a bit immature. I submitted

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  • Com, and trip it as ye go, On the light fantastick toe. – John Milton Join 10 emerging artists as they dance the light dance through a dazzling variety of concepts in this group exhibition. From stages covering all media, tales are woven tracing the troubles of our times: Surveillance, Military Oversight, Big Data, Big

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  • Configuration: 11

    Marking out the dots from the positions of peoples heads in Victoria station. After the background has been painted. (Messed up at the bottom, didn’t realise the paint wouldn’t be thin enough to see through.) Finished Piece. The colours are dictated by the number of triangles in a group + the number sides bordered by

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  • Configuration: 9

    In configuration 9 the rule I used was that instead of using colour as the positive element dictate the fill, I’d let the traditionally negative elements i.e. white and the background prime colour dictate how the fill is carried out. This comes from how I have begun to read into John Cage and Robert Rauschenberg

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  • Configuration: 8, 2015

    No two coloured tiles are made adjacent in this piece. The colours were applied in a very different method: The main colour of a tile was determined by the number of adjacent tiles it had. This was then blended into from the sides that had an adjacent tile with a colour that corresponded to the

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  • Photochemical Experiments

    A group, comprising of myself and two other classmates (Patricia Orem and Camilla Gaulter-Carter) was asked to collaborate with each other as the themes of our work shared a set of characteristics: Modulation, Time, Free-form and Transformation. In our discussions we formed an idea around using a mirror to project an image onto another surface. I added

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