abstract expressionist
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Acrylic on Canvas. I really like the way this piece turned out. The colours seem to join well together for me (being colourblind I can’t say that this is the same for everyone) and I think the way the drawing was laid out really gives a lot of space and attention to every facet.
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Having all but removed the lines from a painting, this time, I decided to remove the colour and leave the lines to play amongst themselves. This piece uses 4 of the source image which has resulted in the 4 clusters that are visible within the work. The piece itself is sort of reminiscent of
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Acrylic on Paper. Having thought about the use of shape and line within constructivist works, this time I decided to put the drawing underneath a priming layer, also using this as a way of stretching the paper before painting to hopefully reduce the surface distortion that occurs as paper is wetted. This method has really
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Acrylic on Paper. I decided to make this painting having seen all the pins on my noticeboard. The spread was rather interesting, so I took a photograph and then plotted all the points onto a different piece of paper and began to join up the dots rather randomly. Then, starting with the base colour of yellow,
Robin Leverton 