robinleverton
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Brighton Crete Peckham Tooting / Wimbledon Richmond Park Roehampton / Heathrow
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The Carsten Holler exhibition that was on show at the Hayward Gallery over the summer was less a cerebral exercise and more a wide snapshot on the various ways of constructing art and its potential involvement in the non-art world. His use of technologies, such as VR Headsets to create a narrative environment we can not
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Walking into Lazarides gallery in Soho, I was immediately overawed at the artwork on display to me. Ian Francis’s works carry the depth and sense of sublime taken from works by John Martin and the intimacy of the works of Joseph Wright of Derby and pairs that with an aesthetic that is immediate and ethereal and
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The Agnes Martin show at Tate Modern was one of the best shows I have seen so far this year and was a real eye opener in terms of the simple, calm nature that speaks volumes throughout her work. The grid style that she employed throughout her whole career I found to be tellingly relevant
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Frank Bowling’s ‘Right Here. Right Now.’ was shown in conjunction with a show from his partner Rachel Scott’s show ‘Warp & Weft’ at Chelsea College of Art and Design in the Triangle and Cookhouse Spaces. Bowling’s large paintings are a violent series of coloured abstractions set out in shapes or patterns that band the canvas,
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The works here are all created using the pixel sorting method and Processing. For this first set of images, I was just playing around with types of images and how they’re affected differently by the code and playing around with different parameters of the code. Some of these have created very interestingly textured images that
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I wrote a really long post about this but then it didn’t save, I have been putting it off since. In short it was a very interesting look at non-british marble sculpture of the 20th century, though not the most thrilling or radical work I have ever seen. I particularly enjoyed ‘untitled’ -1978 and the
Robin Leverton 